See Importing AAF project files from Avid Media Composer for more information about supported Metadata and Effects when importing ALE, AAF, and EDL files in Premiere Pro.Ītlasot reģionu, tiek mainīta vietnes valoda un/vai saturs. All Camera angles will be available if Avid Clip Bins are Exported as ALE Files and Imported as Bins into Premiere Pro.Multi-Cam Clips will be broken into discreet camera angles and only the Active Camera Angle from an Avid Sequence will be placed in the Sequence.Matte Keys can lose Alpha Channel after migration.LUT Filter Effects and Color Filters applied to clips in Avid Sequence do not migrate.LUT information baked into master clips will migrate, along with LUT information in Metadata Display columns.Some Motion parameter settings migrate, but complex animation might not.Therefore, before your Adobe Premiere Pro sequence can be imported to Avid Media Composer, it must be exported to AAF with proper configurations. Audio Levels and Keyframes will migrate from Avid. Since Adobe Premiere Pro and Avid Media Composer use different formats, you need a common file type called AAF (Advanced Authoring Format) that both the post-production tools recognize and accept.Effects such as dissolves and speed variations will migrate from Avid.Markers will be placed in the Sequence to identify unsupported effects. Custom information entered in Avid Metadata columns, such as the Comments field, will migrate.What you learned: Sequence Effects and Metadata Migration
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